Production

Essential Steps

7) Key Animation

an animator doing key animations on a piece of paper for production

GIF by giuvisualart via GIPHY

A key animation may also be called “keyframing”. This refers to a character or object’s simplest position before its set in motion – also known as its key form. Every other transformation, action, or expression will then be coming from this key form.

Basically, this step involves making the skeleton of your animation or a rough sketch of your character’s actions. The step may also be considered a ‘rough animation’.

Thanks to its rough nature, this step saves you time and effort by creating the motions and expressions of your character and giving you the ability to easily apply any changes without worrying over little details.

Here, you can also add the rough dialogue, if there’s any, to serve as the basis for your character’s facial expressions and movements.

This step may take a little back and forth before reaching the final poses and movements as you’ll have to ensure both your team and your client are satisfied with what’s been done.

 

8) Animation Background Layout

an animator illustrating the background layout for production

GIF by alexboya via GIPHY

You will also have to sketch the layout of your animated scenes’ backgrounds, especially because they’re often affected by your animated character’s movements.

If you’re making the backgrounds of your animated video, you must have a high level of technical animation skills and possess a keen eye for detail.

Certain objects and movements may also change the composition of your background as a particular scene or event unfolds, so you must have a strong understanding of shape, form, texture, and color, and how all these elements come together in a scene.

You may also hire a background designer with prior experience to help animate your background. With that, you or your background designer must also add color to your animation backgrounds.

While your backgrounds are dependent on the art style you aim to achieve, one thing you can try when coloring your animated videos in a matte painting style.

Using Adobe Photoshop, matte painting adds a more realistic layer to the backgrounds of your animated videos. This step combines both the elements of art and live-action to create such an effect.

9.) Animation Lighting

a 3d animation of a windowsill with light peaking through the blinds of window and hitting a potted plant

GIF by motionaddicts via GIPHY

Good scenes are also dependent on good lighting, especially with certain kinds of animation styles like 2D, 3D, stop motion, and claymation.

This means more than simply adding shadows to your subjects or illuminating the entire scene; lighting offers stylistic freedom and the ability for you to explore with your animated scenes or videos.

This is a practical and realistic step in the production pipeline because the right lighting in every scene will effectively convey its mood, adding power and impact in character dialogues and movements.

Additionally, lighting improves the cinematography in an animated video and helps you highlight significant objects or events.

As written by the creative software and production industry website, Foundry, “Lighting in animation has become an art form in itself, not bound by physics or reality in the same way traditional filmmaking is”.

10) Animation Sound Design and Dialogue Recording

an audio interface is shown similar to what is used in sound design and recording

GIF by HuntersOnPrime via GIPHY

Next up in the animation production pipeline is to add the audio of your animated video. This step consists of the musical score, the sound effects, and the voiceover narrations.

If you’ve recorded a draft voiceover narration earlier, now is the time for you to finalize the narration. You may hire a voiceover artist for this step or do it yourself, as long as the voice fits the video’s tone and clearly conveys the message of your client’s brief.

Regarding music, finding the right music for your animated videos can be tricky. To help you effectively choose the best music and sound effects, here are a few tips.

One, check the client brief or coordinate with your client on the music they want. Two, define the role of your music in the animated video. For example, if you’re creating explainer videos, your music should not distract the audience. It must be subtle and simply meant to clear any dead air.

Three, go back to your budget. Select the music that would stay within your budget or opt for royalty-free music. This will help by automatically crossing out those audio files that are too expensive for licensing.

Four, consider the genre that would best suit your animated video. Five, go back to your script or storyboard and try to imagine what kind of music would suit its scenes. You can also go through a music library and test some samples as you read your script.

Remember, the right music complements the mood of your scenes and the message of your animated video. It must enhance the experience of viewing the animated video and elicit a physical and/or emotional reaction in its intended audience. That way, you can satisfy your client’s intent for the animated video.

11) Animation Color Correction and Color Grading

an evolving shape of colors highlighting the importance of color grading in animation production

GIF by GIPHY

Like adding music, color correction and color grading create and/or maintain the overall atmosphere of your animated video to ensure it captures the objectives and the message of your client brief.

This step in the animation production pipeline adds to making a visually coherent story while improving the entire mood of your animated video. It involves manipulating the sharpness of colors, contrast, blackness depth, white balance, and the color overlays in the animated video’s every scene.

Color correction smoothes out the colors in every shot, allowing the audience to become more immersed and focused on the story while preventing any distracting and jarring aspects.

Meanwhile, color grading is more often used aesthetically. For instance, you may want a particular scene to be more emotional, so you apply dark blue hues.

After exploring the design stage in 3D animation, we’ve pretty much summed up the pre-production phase of the 3D animation pipeline. Now, it’s time to step into the production phase and see what happens in a 3D animation studio when all pre-production efforts are about to be brought to fruition. The first step in the production phase would be the 3D animation layout which is closely related to the animatic by nature. The 3D animation layout process can begin as soon as proxy geometries of the final models are ready; in basic shapes but with the right scales. Therefore it can even begin in the pre-production stage and continue into post-production.

What is the layout in animation?

Layout in 3D animation is basically a 3D version of the animatic in low res with proxy models. A proxy model is a basic representation of the final 3D model with the right shape and size, used to demonstrate the story visually. Proxy models plus basic information such as character movements or directions is all that’s needed to start the layout process. It is the first step in production, in which the layout artists decide what will be on the screen based on the storyboard and/or animatic and instructions from the director.

The following video is an example 3D animation layout by Startfire Animation Studio:

Below you can see the final version of the above 3D layout at the end of the pipeline:

Animation layout, why do we use it for 3D animation? 

The 3D layout might seem very basic at first but becomes very useful throughout the rest of the pipeline. Another point worth mentioning is that 2D animatic is often cheatable in terms of character scale, perspective or distance. But cheating these properties in a 3D layout is not that easy. That’s why 3D animation layout is a crucial component in 3D animation production.

Generally speaking:

  • The 3D layout allows the director to adjust the composition of each shot in action.
  • As the project moves forward, the 3D layout will develop too: rough animation takes will be gradually replaced with the finals.
  • The final voice-over or music score can also be added; if not used already.
  • The process of development will go on until the 3D layout becomes the new guide for the rest of the 3D animation production.
  • Complex camera movements that cannot be easily portrayed in a storyboard or 2D animatic can be adjusted in a 3D layout.
  • Many other components of the production stage can get started sooner with a 3D layout; layout artists will later begin adding major and minor final props to the environments.

What does a 3D layout artist do in an animation studio?

The job of a layout artist in computer-aided animation is similar to a cinematographer in live-action. The layout team can prepare several versions of each scene to give the director and editorial team options when putting the final product together.

They start with an animation storyboard or animatic in close collaboration with the director. Layout artists take the prepared material from pre-production and begin creating the shots in a 3D environment using proxy models and environments.

Sometimes layout artists roughly animate a character or at least make it move from one place to another; to give the animators a starting point from which they can fully flesh out the characters’ movements and expressions. In fact, the character animation done at this stage is very basic and temporary, but the camera moves made by a layout artist will usually find their way to the final animation.

Some responsibilities of a layout artist in a 3D animation studio

A layout artist’s position in a 3D animation studio is really demanding and needs a comprehensive understanding of different subject areas like cinematography, lighting, blocking, acting, animation, etc. Above all, powerful imagination and creativity are among the most important qualities of a layout artist.

The number and nature of tasks referred to a 3D layout artist can be slightly different in each 3D animation studio but they are usually responsible for the following:

  • Translating storyboards and animatics into the 3D layout
  • Preparing proxy assets
  • Composing shots in 3D
  • Staging and blocking
  • Positioning or animating the camera
  • Camera finessing at animation stage (if required)
  • Maintaining visual and technical quality, style, and continuity throughout the project
  • Loading pieces and characters into the shot
  • Putting the characters in key poses to define actions and movements

Conclusion

After the pre-production phase of the 3D animation pipeline is successfully over, it’s time to step into production. The 3D animation production phase starts with the layout stage which is basically a 3D version of the animatic.

The 3D layout looks like a primitive version of the final product at first but is hugely useful and will develop throughout the rest of the pipeline. It lets the director adjust each shot’s composition in action. The development of the 3D layout will go on until it becomes the new guide for the rest of the 3D animation production. This stage paves the way for the next step of the 3D animation pipeline: 3D modeling.

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Production

Examples of Production:

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